featured 274712

Idols in Concert: Ratings and Stats – March 26, 2015

Weekly Concert Report: TV-Show Alumni and Touring Acts

This week’s concert reports cover a diverse lineup of live shows, featuring artists who rose to fame on talent programs and a number of ensemble tours. Highlights include performances by Miranda Lambert with opening support from RaeLynn (both with roots in televised competitions), Australian Idol winner Guy Sebastian, a series of dates for the a cappella group Pentatonix, the touring production of Dancing with the Stars, The Sing-Off Live Tour, and the busy Fifth Harmony schedule. Below is a concise, organized account of reported box office figures, attendance, venues and dates.

Summary

These engagements span multiple cities and venue sizes, from large arenas to intimate theaters. Several shows reported sold-out audiences, while others achieved strong percentages of capacity. Figures include paid attendance and gross revenue for each listed date as reported.

Miranda Lambert with Justin Moore and RaeLynn

RaeLynn, who opened for Miranda Lambert, is among the artists who continue to perform on the country touring circuit. Reported date:

  • Feb. 28, 2015 — Tulsa, OK — BOK Center: 9,497 of 10,568 (90%) — Gross: $520,640

Guy Sebastian (with Fatai)

Australian Idol winner Guy Sebastian appeared in Brisbane with support from Fatai.

  • Feb. 14, 2015 — Brisbane, Australia — Brisbane Entertainment Centre: 3,767 of 4,234 (89%) — Gross: $341,542

Pentatonix (with Mario José)

Pentatonix continued to show strong demand on their tour, including multiple sold-out dates.

  • March 16, 2015 — Boston, MA — Agganis Arena: 5,999 of 5,999 (SOLD OUT) — Gross: $242,033
  • March 1, 2015 — Anaheim, CA — City National Grove of Anaheim: 1,700 of 1,700 (SOLD OUT) — Gross: $65,005

Dancing with the Stars — Touring Production

The touring production of Dancing with the Stars reported a sold-out engagement in Milwaukee.

  • Jan. 22, 2015 — Milwaukee, WI — Riverside Theatre: 2,255 of 2,255 (SOLD OUT) — Gross: $139,501

The Sing-Off Live Tour

The Sing-Off Live Tour visited a range of venues with mixed attendance figures, from strong capacity to more modest turnouts. Reported performances include:

  • March 15, 2015 — Nashville, TN — Ryman Auditorium: 2,145 of 2,264 (95%) — Gross: $87,667
  • March 19, 2015 — Grand Rapids, MI — DeVos Performance Hall: 1,489 of 2,322 (64%) — Gross: $60,884
  • March 12, 2015 — Coral Springs, FL — Coral Springs Center for the Arts: 642 of 1,367 (47%) — Gross: $30,856
  • March 10, 2015 — Melbourne, FL — Maxwell C. King Center for the Performing Arts: 768 of 1,500 (51%) — Gross: $28,120
  • March 18, 2015 — Royal Oak, MI — Royal Oak Music Theatre: 379 of 1,000 (38%) — Gross: $16,585

Fifth Harmony (with Jasmine V, Mahogany Lox, Jacob Whitesides)

Fifth Harmony, who emerged from the U.S. X-Factor franchise, performed a busy run of shows with several sell-outs and near sell-out attendance across a variety of markets and venues. Reported dates and figures are:

  • March 1, 2015 — Los Angeles, CA — Club NOKIA: 2,184 of 2,391 (91%) — Gross: $73,950
  • March 5, 2015 — Houston, TX — Warehouse Live: 1,656 of 1,656 (SOLD OUT) — Gross: $53,820
  • March 15, 2015 — Indianapolis, IN — Egyptian Room at Old National Centre: 1,776 of 1,931 (92%) — Gross: $48,385
  • March 14, 2015 — Chicago, IL — The Vic: 1,358 of 1,364 (99.6%) — Gross: $47,887
  • March 9, 2015 — Atlanta, GA — Buckhead Theatre: 1,465 of 1,465 (SOLD OUT) — Gross: $47,613
  • March 12, 2015 — Richmond, VA — The National: 1,500 of 1,500 (SOLD OUT) — Gross: $44,250
  • March 4, 2015 — Dallas, TX — South Side Music Hall: 1,338 of 1,338 (SOLD OUT) — Gross: $43,485
  • March 10, 2015 — Charlotte, NC — Amos’ Southend: 1,259 of 1,291 (98%) — Gross: $40,918
  • March 7, 2015 — Fort Lauderdale, FL — Parker Playhouse: 1,090 of 1,090 (SOLD OUT) — Gross: $38,508
  • March 11, 2015 — Norfolk, VA — The NorVa: 1,259 of 1,450 (87%) — Gross: $33,993
  • Feb. 28, 2015 — San Diego, CA — House of Blues: 1,096 of 1,096 (SOLD OUT) — Gross: $33,190

Observations

Across the reported dates, several consistent trends emerge: arena dates and larger venues generally produced higher grosses, while smaller clubs and theaters often reached sell-out status despite lower total gross. Touring productions tied to television properties remain a viable draw, with many engagements achieving strong attendance percentages. The mixed performance of The Sing-Off Live Tour illustrates the variance possible when a show visits different regional markets and venue sizes.

This report reflects only the shows and figures listed above. All attendance and gross numbers are presented as reported for the specified dates and venues.